Ariel Helyes and Jess Beige
Private view: 6-8 PM 26th Oct
Open by appointment only 26 - 28th October
If we stand before a meadow covered in flowers, full of buzzing bees, in which butterflies pantomime and dragonflies whir, over whose blades of grass grasshoppers make their great leaps, where mice scurry and snails crawl slowly onward— then, we are forced to ask ourselves, "Does the meadow present the same impression to the eyes of such different animals as it does to our eyes?"
The exhibition is a collaborative effort by the two London based artists to investigate scale and attention in a series of sculptures specifically created for the occasion. This is their first join project after recently graduating from the Royal College of Art in London. According to biologist and writer Jakob von Uexküll, animals make sense of the world surrounding them based on perception marks and feedback cycles, where their actions are triggered only by the appearance of certain signs. Male grasshoppers always choose to ignore the optical image of a female one if it’s kept under a bell jar, preferring instead a synthetic recording of its voice playing through speakers. The one missing mark, in this case the voice, cancels out the whole and the female grasshopper slips out of the male’s field of attention. When Uexküll tells us about the secret life of the meadow, through buzzing bees and crawling snails he talks about strata of blindness and incomprehensibility, cutting up the familiar scene in myriad ways so it’s never to be restored. We chose the title, ‘When grasshoppers make their great leaps’ as a wishful statement of overcoming the automatic circularity of signs and action - signs we are supposedly predestined to search for and actions we can’t avoid taking afterwards; and side instead with poetic overcoming as a great leap into the dark.
Ariel Helyes works with video, sculpture, painting and appropriation to address ideas of powerlessness, labour and finance. He’s part of the conceptual creative agency Declined and Deceased. Recent shows include 50/50 in Fold Gallery, London, Attention Anticipation Anxiety Relief Release in Fitzrovia Gallery, London and Nothing in that Drawer in 10 Hanover, London
Jess Beige is a South-Korean sculptor and multi-disciplinary artist based in London. She investigates ideas of humanness in improvised structures and handcrafted kinetics. Recent shows include, 50/50 in FOLD Gallery, London; /st^te(r)/ in BAKIIBAK, Hastings; Beacon in Josh Lilley Gallery, London and Kim Kulim & Jessica Hyunjin Kim in Cafe OTO, London.
Fritz Poppenberg, Gintare Simutyte
Vernissage 18:00 Uhr 30.10.2020
Finissage 16:00 Uhr 01.11.2020
Opening hours: 31.10.2020 - 01.11.2020 12-7pm
In this exhibition, on view at tête from October 30th to November 1st 2020, we present a selection of our work of this year: Gintare Simutyte is showing a video installation, Fritz Poppenberg is showing paintings.
On the beach at night alone is an invitation to look out beyond the present moment and to direct ones senses inward, to think about the passage of time and the nature of the world as they appear in memories, thoughts, poems and dreams, and to appreciate the fundamental reality of textures, colors, air and light.
The exhibition is framed by an opening concert of music by Rameau, Berio and others, performed by Marine Madeline (Friday, 30th October, 20:00).
Gintare Simutyte (born 1987) is a Berlin based artist from Vilnius, Lithuania, whose work includes video, animation, installation, drawing and collage.
Fritz Poppenberg (born 1991) is a painter and printmaker born and working in Berlin.
On the beach at night alone is the title of a poem by Walt Whitman, first published in the 1867 edition of Leaves of Grass.